duke_aldhein ([info]duke_aldhein) wrote,
@ 2006-01-04 15:38:00
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the hope that waits inside the leafless tree
I told [info]mcgeary I'd post the poem/prayer I wrote last January. The pain it was written from seems a long way off, thankfully, but the words still work for me.

A prayer for New Year


God, who guards our comings and our goings,
meet us at the turning of the year,
light a fire in us against the cold
that we may share your warmth with a shivering world.

Christ, born in the dark days of the year,
watch with us through the dark years of our lives,
remind us in the slowly lengthening days
how life enters the world at unlikely times.

Sometimes much we held high seems lost and buried,
as out of date as last season's fashion lines:
remind us that time is the turning wheel
as well as the road it leaves behind,
that seasons return, and in their return
show us again the truth that sets us free,
that all that is buried is not lost.

In a world of instant gratification,
teach us the hope that will not be rushed,
the hope that waits inside the leafless tree.

God, who guards our comings and our goings,
meet us at the turning of the year,
light a fire in us against the cold
that we may share your warmth with a shivering world.



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[info]mcgeary
2006-01-04 08:44 pm UTC (link)
I enjoyed that. I liked the 'Christ, born in the dark days of the year' seeing as you've mentioned before why Christmas was placed in the bleak mid-winter. I always thought that - as with many Christian holidays - it is where it is because today's as good a day as any.

Although I wouldn't have included the 'in a world of instant gratification' because I think you've said your piece about consumer-culture in the wonderful simile about 'last season's fashion lines'. But I suppose we'll have to agree to disagree...

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[info]duke_aldhein
2006-01-04 08:49 pm UTC (link)
Glad you enjoyed it.

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[info]mcgeary
2006-01-04 11:57 pm UTC (link)
This is a song you should get hold of. This guy's shifted more records than Madonna but his popularity in the UK isn't what it is in Ireland. His song-writing is delightfully simple (though his attempts to be funny are never anything other than excruciating) and he has a good husky voice. I think perhaps the secret to his wide appeal is his wholesomeness, he comes across as a genial southern gentleman who pronounces sir - saa.

It's very much a girlfriend on shoulders moment. Not a classic, but highly disarming

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