duke_aldhein ([info]duke_aldhein) wrote,
@ 2006-07-26 10:04:00
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Some time ago, in a discussion on here, someone called JJ asked me a question: 'If you do dismiss literal interpretations of religious stories, how do you deal with the language of "belief" and "faith" that so pervades religious discourse?' I have been slow to reply, because the series of posts that led to the question were riddled with assumptions which, while widespread among educated people, I don't share. But [info]cool_moose has been looking at my (slightly out of date) website and mentioned the subject of church, which started me thinking. Maybe I can offer some kind of answer to JJ in the process.

One of my oldest friends was recently ordained as an Anglican priest - I felt a joy for him quite unlike what you would ordinarily feel about someone getting a new job. Myself, I feel closer to Alan Garner:
I couldn't go far with any creed. But that to me is not relevant. It's enough that I know. I wouldn't try to persuade others, and it doesn't concern me, though I know it concerns some churchmen, that I'm not a member of the Church of England. They say, "Well, if you know, why don't you join...". And I have to say: "My job is not to join; it's to have another angle, to report the view from here."
I don't mean that I'm agnostic - rather that I have never been able to take the modern (in the long historical sense) confinement of religion to certain times and certain buildings very seriously. It's all around, or it's nothing. We may take the world for granted, as something which is simply 'there', yet we are always either engaged in the process of drawing out meaning from what's there, or else living within the result of others efforts at drawing out meaning. It is possible to say such meaning is entirely arbitrary (though it is harder to believe this than to say it). On the other hand, there is the experience that some attempts at making sense of things ring true, seem to correspond to something out there. Garner again:
Most of my friends are as recognisably priests as anyone can be. People who work in the theatre are in a religious profession: a theatrical director has the same job as a vicar. There's no difference in kind. They have to make manifest that which is not manifest, but which is. And they have to do it by presenting a picture or a metaphor of reality, because you cannot describe reality, but you can present a metaphor. A play, a novel, a parable, a religious text - all serve the same function. Just try seeing things this way, you say: you won't see it all but it will be another facet.
My issue with JJ is that - like a lot of people, including some liberal Christians, not to mention the literalists themselves - he thinks literalism was the natural form of religion and that seeing religion as metaphor is a modern trick by which to dilute unpalatable nonsense. This view is difficult to argue with, because it is widely held by intelligent people, yet incredible to anyone who has spent much time with theology - or, which had more influence on me, poetry - that predates "modernity".

In fact, I tend to see the process the other way round to JJ. Up to around the seventeenth century, the orthodox position for western thinkers was similar to that of St Paul in 1 Corinthians 13:
When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face...
To 'see through a glass, darkly' is to see indirectly, by telling stories, by metaphor - to treat the stuff that matters as difficult to get at, not directly accessible to us, but real and important, nonetheless. It seems to me that during the early modern period Paul's analogy was rearranged - the significant breakthroughs in scientific and technical knowledge led to a sense that we could 'put away childish things' and see all of reality 'face to face'. This became the new orthodoxy - that only that which can be observed directly exists, and that the stuff of stories is for children. ('Alice in Wonderland' and 'Through the Looking Glass' are littered with the tropes of medieval religious dream poetry...)

Isaac Newton, for example, was deeply entangled in mysticism, but among the first generation to see the significance of his work, the sense grew that this process should unravel the workings of the universe all the way back to God Himself. (On this, see AD Nuttall's book on Pope's 'Essay on Man'.) This is where that desiccated form of religion, Deism, came from - although its appeal to thinkers of the seventeenth and eighteenth century is perhaps only comprehensible in that the prospect of a scientific formula for religion may have seemed to offer an end to the religious wars which Europe had suffered. (Wars which must be understood as being rooted in social and economic tensions, rather than simply irrational religious feuding - the spread of secularism didn't make the twentieth century notably peaceful...)

Far from being the historical form of Christianity, biblical literalism (and fundamentalism in general) is Deism for the scientifically illiterate - religion reduced to a set of pseudo-scientific formulae, of which Creationism is only the most explicit example. Religion that claims 'face to face' knowledge, that has no place for mystery, develops a peculiar kind of intolerance and incuriosity. (This is not to say that this new form of religion has a monopoly on either, nor on bloodiness.) Those versions of liberal Christianity which hitch themselves to a secular narrative of progress and cede the ground of tradition to the fundamentalists do a deep injustice to their forebears. More practically, they also lose the ability to offer a genuine theological critique of the world today - getting sucked into feuds over sexuality within the church rather than challenging the cult of instant gratification which has been passed off as genuine sexual liberation.

So, how do I 'deal with the language of "belief" and "faith" that so pervades religious discourse?' I deal with belief with difficulty, as many have before me. I think of the father who said to Jesus, 'I believe; help my unbelief'. And when none if it makes much sense, I don't see it through the Victorian lens of the 'crisis of faith', but the 16th century lens of the 'dark night of the soul'. Because part of what was mislaid with the mystery and the riddles and the dark glass was the sense that whether I believe in God is no more important than whether God believes in me.



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[info]mcgeary
2006-07-26 05:09 pm UTC (link)
http://www.dumpalink.com/media/1131793055/Bill_Hicks_on_creationism_

Check this guy out. It's one of my more serious comedic links. I am not serious about my Catholicism but unlike a lot of people, it doesn't bother me that three major religions use the Old Testament. A Testament where so much of it is demonstrably untrue, because the people who wrote it were not historians, archaeologists etc. and never laid claim to being.

I think of this because I'm in the middle of Karen Armstrong's 'The Great Transformation', a book so thick in both senses of the word that it'll take a while to form a full response.

The clip must be from late 92/early 93, but this Hicks chap was so far ahead of his time. To think he's dead and Mark Lamarr's alive...

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[info]duke_aldhein
2006-07-27 03:53 pm UTC (link)
Christian orthodoxy has more room for Bill Hicks than for the fundamentalists he took such joy in attacking...

I'm serious. I mean, I don't generally see eye to eye with Giles Fraser (he embodies the intelligent-enough-to-know-better liberal Christianity I take potshots at - and his attempt at a riposte to my column on the Church House Bookshop website was both condescending and feeble), but he did a good piece for the Guardian a few Christmases ago. Inspired by Kundera's definition of kitsch as 'the absolute denial of shit', he wrote about the 'caganer' - 'a traditional Catalan figurine who is placed squatting in the corner of the Christmas crib, trousers around his ankles.'
Kitsch excludes shit in order to paint a picture of perfection, a world of purity and moral decency.

The problem with kitsch is not readily apparent because (by definition) the treatment of what is considered unwholesome takes place off stage. Think of those Nazi propaganda films of beautiful, healthy children skiing down the Bavarian Alps. Nothing wrong with that, is there? Of course there is. For this is a world that has been purified, where everything nasty or troubling has been eliminated... Kitsch turns out to be... the aesthetics of ethnic cleansing...

The baby in the manger now presides over a celebration of feel-good bonhomie that makes the true meaning of Christmas almost impossible to articulate. Boozed-up partygoers and proud grandparents demand the unreality of "O little town of Bethlehem, how still we see thee lie". Elsewhere Kundera writes of kitsch as "the need to gaze into the mirror and be moved to tears of gratification at one's own reflection". And it's this gratifying reflection that many want to see when they gaze into the Christmas crib. Christmas has become unbearably self-satisfied.

The caganer is a reminder of another Jesus and another story. From the perspective of official Christian doctrine, the story of Christmas is a full-scale attack upon the notion of kitsch... God is born in a stable. The divine is re-imagined, not as existing in some pristine isolation, but among the shittiness of the world.
The caganer is the Bill Hicks character, the guy defecating in the corner of the crib scene. If your version of religion hasn't got room for him, it'll tend to lead to the kind of obscenities being perpetrated in the name of faith by the likes of Bush (and bin Laden).

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[info]mcgeary
2006-07-28 12:21 pm UTC (link)
Was his riposte over attitudes to free-trade?

And actually, its attitude to kitsch is the reason why I like Bo Selecta, but that discussion's for another time and place.

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[info]duke_aldhein
2006-07-28 12:36 pm UTC (link)
Yeah, he basically implied (by his selection of books and his comments) that I was a naive young Marxist who would doubtless mature to see the error of his ways, as he had - and also had a go at Radical Orthodox theology for being "fashionable", which is rather ad hominem for an Oxford philosopher. His whole column was pretty slapdash.

I could give a more nuanced critique of the militant liberalism he regularly promotes in the Grauniad, but I'll save that for another day.

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[info]peregrinuscanus
2006-07-27 07:12 am UTC (link)
I'm going to come back and re-read this because I am pretty much in agreeance (but I have to have my breakfast!)

What is difficult is the medium through which the non-literal is presented - ritual, or word - wihtout being so vague as to mean nothing to anyone.

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[info]duke_aldhein
2006-07-27 04:39 pm UTC (link)
What is difficult is the medium through which the non-literal is presented - ritual, or word - wihtout being so vague as to mean nothing to anyone.</a>Agreed! There are all sorts of difficulty around this.

For one thing, we live with the legacy of the separation of heart and head which accompanied the 17th C rationalisation of religion. (Eliot was getting at this with the 'dissociation of sensibility'.) One symptom of this is a tendency to oppose the tyrannies of heartless reason with the excesses of undisciplined emotion. These apparent opposites feed on each other - as in the symbiosis of fundamentalism with charismatic phenomena, or of ruthless economism with a consumer ethic of self-indulgence. For the most part, we've lost the habit of combining feeling with rigour, thinking with charity (in the old sense). So there is a tendency to oppose the sterile rigidity of literalism with a pick'n'mix version of religion - this can be 'so vague as to mean nothing', or it can feel meaningful but make no difference to how we live. Religion as therapy, without any element of critique.

Before he was put in his current awkward position, I interviewed Rowan Williams. He talked about poetry and faith, which for him (and me) are pretty much the same thing. He reckoned there were two ways of handling the difficulty of faith in modernity as a poet - you can either distance yourself from your context, by writing about a very different time and place and allowing us to see the contrast, or else you write specifically about the problem of having faith in our times. I remember thinking that the latter sounded like Aidan Chambers' method, the former like Alan Garner's.

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[info]peregrinuscanus
2006-07-28 05:18 pm UTC (link)
I'm off on holiday tomorrow so sorry not to comment further. :)

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[info]aurorra
2006-07-27 11:31 am UTC (link)
OOH, IOU one propper comment on all this.... I'll come back later.

x

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